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What ‘Blade Runner’ got right and wrong about 2019

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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.

Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

China will raise a record $6 billion through a bond sale that saw big demand

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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.

Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

This is how insurance is changing for gig workers and freelancers

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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.

Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

Drew Banga wants to spark the Bay Area’s rap resurgence

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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.

Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

How Omni accidentally became the best post-punk band in America

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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.

Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

Exploring the origins of punk across America with Kid Karate and Bushmills

0

Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.

Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

Mastering the First Impression: Your intriguing post title goes here

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Engaging Introductions: Capturing Your Audience’s Interest

The initial impression your blog post makes is crucial, and that’s where your introduction comes into play. Hook your readers with a captivating opening that sparks curiosity or emotion. Address their pain points or questions to establish a connection. Outline the purpose of your post and give a sneak peek into what they can expect. A well-crafted introduction sets the tone for an immersive reading experience.

Crafting Informative and Cohesive Body Content

Within the body of your blog post lies the heart of your message. Break down your content into coherent sections, each with a clear heading that guides readers through the narrative. Dive deep into each subtopic, providing valuable insights, data, and relatable examples. Maintain a logical flow between paragraphs using transitions, ensuring that each point naturally progresses to the next. By structuring your body content effectively, you keep readers engaged and eager to learn more.

Powerful Closures: Leaving a Lasting Impression

Concluding your blog post isn’t just about wrapping things up – it’s your final opportunity to leave a strong impact. Summarize the key takeaways from your post, reinforcing your main points. If relevant, provide actionable solutions or thought-provoking questions to keep readers thinking beyond the post. Encourage engagement by inviting comments, questions, or sharing. A well-crafted conclusion should linger in your readers’ minds, inspiring them to explore further or apply what they’ve learned.

The Art of Drawing Readers In: Your attractive post title goes here

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Engaging Introductions: Capturing Your Audience’s Interest

The initial impression your blog post makes is crucial, and that’s where your introduction comes into play. Hook your readers with a captivating opening that sparks curiosity or emotion. Address their pain points or questions to establish a connection. Outline the purpose of your post and give a sneak peek into what they can expect. A well-crafted introduction sets the tone for an immersive reading experience.

Crafting Informative and Cohesive Body Content

Within the body of your blog post lies the heart of your message. Break down your content into coherent sections, each with a clear heading that guides readers through the narrative. Dive deep into each subtopic, providing valuable insights, data, and relatable examples. Maintain a logical flow between paragraphs using transitions, ensuring that each point naturally progresses to the next. By structuring your body content effectively, you keep readers engaged and eager to learn more.

Powerful Closures: Leaving a Lasting Impression

Concluding your blog post isn’t just about wrapping things up – it’s your final opportunity to leave a strong impact. Summarize the key takeaways from your post, reinforcing your main points. If relevant, provide actionable solutions or thought-provoking questions to keep readers thinking beyond the post. Encourage engagement by inviting comments, questions, or sharing. A well-crafted conclusion should linger in your readers’ minds, inspiring them to explore further or apply what they’ve learned.

Crafting Captivating Headlines: Your awesome post title goes here

0

Engaging Introductions: Capturing Your Audience’s Interest

The initial impression your blog post makes is crucial, and that’s where your introduction comes into play. Hook your readers with a captivating opening that sparks curiosity or emotion. Address their pain points or questions to establish a connection. Outline the purpose of your post and give a sneak peek into what they can expect. A well-crafted introduction sets the tone for an immersive reading experience.

Crafting Informative and Cohesive Body Content

Within the body of your blog post lies the heart of your message. Break down your content into coherent sections, each with a clear heading that guides readers through the narrative. Dive deep into each subtopic, providing valuable insights, data, and relatable examples. Maintain a logical flow between paragraphs using transitions, ensuring that each point naturally progresses to the next. By structuring your body content effectively, you keep readers engaged and eager to learn more.

Powerful Closures: Leaving a Lasting Impression

Concluding your blog post isn’t just about wrapping things up – it’s your final opportunity to leave a strong impact. Summarize the key takeaways from your post, reinforcing your main points. If relevant, provide actionable solutions or thought-provoking questions to keep readers thinking beyond the post. Encourage engagement by inviting comments, questions, or sharing. A well-crafted conclusion should linger in your readers’ minds, inspiring them to explore further or apply what they’ve learned.

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